One-of-a-kind stoneware vessels — thrown on the wheel, painted wet, fired slow. Small drops, no repeats. DM for commissions.
Every piece is thrown by hand on the wheel, then painted with black slip while the clay is still damp — one loaded brush, one motion. The mark is committed the moment it lands.
There are no reprints, no second-chances, no decals. What you see is what the brush did that afternoon. Some pieces take three attempts. Some take twelve. The ones that make it into the drop are the ones I'd happily keep myself.
Each form pulled on the wheel from a single batch of stoneware. Sometimes twenty in a morning, sometimes four.
Black slip. One loaded brush. One motion. No edits once it lands — the wet clay won't allow them.
First firing. The shapes set. Anything cracked goes in the shard bucket by the door.
Satin glaze on the interior, second firing, slow cool. What survives is what ships.
One brush.
One breath.
No edits.
